Here's my cannon work, updated to have wood in Zbrush.
Monday, September 30, 2019
Sunday, September 29, 2019
Friday, September 27, 2019
Composition Drew Struzan
This week we had to choose a picture from Drew Stuzan and recreate it in our own style. I decided to take Harry Potter, and make it a 1920s Mob film....
Here's the original illustration from Struzan.
Here's the original illustration from Struzan.
I love Harry Potter, so I was excited to work on this project.
Start of Coloring...
I wanted to add more details to the other characters, but I only had time to flesh out Harry. Which is fine for now, since he's the largest one.
Color with some shading. But I felt it was too busy, so I ended up with...
Monday, September 23, 2019
Friday, September 20, 2019
What's the Value of Value?
We had a Value assignment to shade a piece from the artist Frank Frazetta...
Here's the initial linework.
Beginning Shading, and figuring out Value.
Here's my finished work for this week....
Here's the initial linework.
Beginning Shading, and figuring out Value.
Here's my finished work for this week....
Monday, September 16, 2019
Cannon Up Res
So I had to up res the cannon for the next part of the assignment.
And UV it. Uving is so tedious, but its a necessary evil for texturing.
An export it from Maya and import it into Zbrush.
Friday, September 13, 2019
Silhouette Project
Happy Friday. This week we were tasked with creating a collection of silhouettes based on piece from Brian Froud, the artist behind work such as the Dark Crystal's character designs. First I chose a character, and from there began finding new design idea. I strayed mostly into the monster territory, because I want to practice my creature designs.
The Page I chose my silhouette from.
My silhouettes.
Welp. That's it. Thanks for reading!
Thursday, September 12, 2019
Tuesday, September 10, 2019
Cannon Proxy
Friday, September 6, 2019
Syd Mead Recreation
So, the assignment was to recreate a portion of a Syd Mead drawing, focusing on the shapes.
First the base from Syd Mead. There are a lot of drawing from him to choose from, but eventually I settled on this piece below, mostly because I liked the use of a limited color pallet (only primaries and grey scale) to evoke a mood.
Like all of my drawings, I started off with a sketch. Not much to look at, but I got the basic down.
First the base from Syd Mead. There are a lot of drawing from him to choose from, but eventually I settled on this piece below, mostly because I liked the use of a limited color pallet (only primaries and grey scale) to evoke a mood.
Like all of my drawings, I started off with a sketch. Not much to look at, but I got the basic down.
Then I added the basic colors, and light values. I think I could have stopped here. But, nah...
Smoothing the harsh lines.
Adding background colors and details to the form.
And finally! Tada! The finished piece with a darker background.
Next time, I think I want to try a more environmental price to recreate! But all in all, I had a lot of fun, and I believe I learned a few things as well. I found it really interesting to limit my color pallet to recreate the primary color scheme, and I hope my interpretation gives it a more modern flair. The dark background was a last minute adjustment, but I sort of love it.
Welp. I'm done for now. See you next time!
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